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 Urbino 
Urbino remains one of the most important towns in the Marche - indeed in Italy - for the tourist in search of great Italian art and architecture and its beguiling streets well reward the curious traveller. Its centro storico now boasts the honour of being included in the UNESCO list of World Heritage Sites.
History
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The modest Roman town of Urvinum Mataurense ("the little city on the river Mataurus") became an important strategic stronghold in the Gothic wars of the 6th century, captured in 538 from the Goths by the champion of the Emperor of the East, Belisarius, and frequently mentioned by the Byzantine historian Procopius. Though Pippin presented Urbino to the Papacy, independent traditions were expressed in its commune, until, around 1200 it came into the possession of the fighting nobles of nearby Montefeltro. They had no direct authority over the commune, but could pressure the commune to elect them podestà (potestas, "power") as Bonconte di Montefeltro managed in 1213, with the result that the Urbinese rebelled, formed an alliance with the independent commune of Rimini (1228), and by 1234 were masters of the city again. In the struggles between Guelphs_and_Ghibellines factions, associated with individual families and cities, rather than the struggle between Hohenstaufen emperors and the Papacy as they had been, the 13th and 14th century Montefeltro lords of Urbino were leaders of the Ghibellines of the Marche and in the Romagna. The most famous member of the Montefeltro was Federico, lord of Urbino 1444 to 1482, an very successful condottiere, a skillful diplomat and an enthusiastic patron of art and literature. At his court, Piero della Francesca wrote on the science of perspective, Francesco di Giorgio Martini his Trattato di architettura ("Treatis on Architecture") and Raphael's father Giovanni Santi his poetical account of the chief artists of his time. Federico's brilliant court, through the descriptions in Baldassare Castiglione's Il Cortegiano ("The Book of the Courtier"), set standards of what characterized a then a modern European "gentleman" that were valid for centuries. Cesare Borgia dispossessed Guidobaldo da Montefeltre, duke of Urbino, and Elisabetta Gonzaga in 1502, with the connivance of his Papal father Alexander VI. After the Medici pope Leo X's brief attempt to establish a young Medici as duke, thwarted by the early death of Lorenzo II de' Medici in 1519, Urbino remained part of the Papal States under a dynasty of Della Rovere dukes. In 1626 Pope Urban VIII incorporated the independent Duchy of Urbino into the papal dominions, the gift of the weary last Della Rovere duke in retirement after the assassination of his heir, to be governed by the archbishop. Its great library was removed to Rome and added to the Vatican Library in 1657. The later history of Urbino is part of the history of the Papal States and, after 1870, of the History of Italy.
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Main monuments
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Ducal palace |
The construction of the Ducal Palace was begun for Duke Federico da Montefeltro around the mid-fifteenth century by the Florentine Maso di Bartolomeo. The new construction included the pre-existing Palace of the Jole. Luciano Laurana, an architect from Dalmatia who had been influenced by Brunelleschi's cloisters in Florence, designed the façade, the famous courtyard and the great entrance staircase. After Laurana's departure from Urbino in 1472, works were continued by Francesco di Giorgio Martini, who was mainly responsible for the façade decoration. The portals and the window sculptures were executed by the Milanese Ambrogio Barocci, who was also the decorator of the interior rooms. After the death of Duke Federico (1482), the construction was left partially unfinished. The second floor was added in the first half of the following century by Girolamo Genga. The palace continued in use as a government building into the 20th century, housing municipal archives and offices, and public collections of antique inscriptions and sculpture (see Galleria Nazionale delle Marche). Restorations completed in 1985 have reopened the extensive subterranean network to visitors. Laurana's light and noble arcaded courtyard at Urbino rivals that of the Palazzo della Cancelleria in Rome as the finest of the Renaissance. Overcoming the exigencies of the clifflike site, which made an irregular massing of architecture necessary, from the 1460s onwards Laurana created what contemporaries considered the ideal princely dwelling. In high, plainly stuccoed rooms the richly sculptured doorways, chimneys and friezes created by Domenico Rosselli, Ambrogio Barocci and their workshops stand out. The beautifully executed intarsia work of the duke's small study (the Studiolo), with trompe-l'oeil shelves and half-open latticework doors displaying symbolic objects representing the arts, is the single most famous example of this Italian craft of inlay. |
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S. Giovanni Battista |
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Cathedral |
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S. Domenico |
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Museums
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National Gallery of the Marche |
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The Galleria Nazionale delle Marche (National Gallery of the Marche), housed in the palace, is one of the most important collection of Renaissance art in the world. It includes important works by artists such as Melozzo da Forlì, Raphael, Piero della Francesca (with the famous Flagellation), Paolo Uccello, Giovanni Santi, Justus of Ghent (a Last Supper with portraits of the Montefeltro family and the court), Timoteo della Vite, and other fifteenth-century artists, as well as a late Resurrection by Titian. |
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