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Grosseto
Grosseto lies on the Tuscan coast of the area known as the Maremma. Although the name Maremma is most commonly associated with the vast, formerly marshy area made fit for habitation only during the past couple of hundred years, there is in fact a region known as the Alta Maremma high above the plains and with spectacular views from the hill top towns located there. The Alta Maremma is thickly wooded towards Siena (for example around Casal di Pari and Torniella) and somewhat rockier towards Roccatederighi where the steep descent to the plains begins.
Grosseto itself is a relatively recent city that developed during the mediaeval period on a site where Etruscan boats used to pass through the marshes. It provided accommodation for the workers in the salt pans and developed slowly until eventually it was fortified by the Medici.

History

The origins of Grosseto trace back to the High Middle Ages. It is first mentioned in 803 as a fief of the Counts Aldobrandeschi, in a document stating the assignment of the church of St. George to Ildebrando degli Aldobrandeschi, whose successor where counts of the Grossetana Mark until the end of the 12th century. It grew in importance with years, owing to the decay of Rusellæ and Vetulonia. Grosseto was one of the principal Etruscan cities. In 1137 the city was sieged by German troops led by duke Henry X of Bavaria, send by the emperor Lothair III to reinstate his authority over the Aldobrandeschi. The year later the bishopric of Roselle was transferred in Grosseto.
In 1151 the citizens swore loyalty to Siena. When in 1222 the Aldobrandeschi gave the Grossetani the right to have a podestà of their own, together with three councellors and the consuls. In 1244, the city passed again to Siena, together with all the Aldobrandeschi's imperial privileges as the Sienese captured it and were legally invested with it by the imperial vicar; thus Grosseto shared the fortuned of Siena. It became an important stronghold, and the fortress (rocca), the walls and bastions are still to be seen. In 1266 and in 1355, it sought freedom from the overlordship of Siena, but in vain. While Guelph and Ghibelline parties struggled within the city, Umberto and Aldobrandino Aldobrandeschi tried to regain to their family Grosseto. The Senese armies were however victorious, and in 1259 they named a podestà from their city. But Grosseto freed and the year later fought alongside with Florence in the Battle of Montaperti. The following decades saw Grosseto again occupied, ravaged, excommunicated by Pope Clement IV, again free under a republic led by Maria Scozia Tolomei, sieged by emperor Louis IV (1328) and by the antipope Nicholas V in 1336, until it definitively submitted to the most powerful Siena.
The pestilence of 1348 struck hard against Grosseto, whose population in 1369 had reduced to some a hundred of familiar nuclei. Its territory, moreover, was frequently ravaged, as in 1447 by Alfons V of Sicily and in 1455 by Jacopo Piccinino.
The Sienese rule ended in 1559, when Charles V handed over the whole duchy to Cosimo I de Medici, first Grand Duke of Tuscany. In 1574 the construction of a line of walls was begun, which is still today well preserved, while the surrounding plain was dried. Grosseto, however, remained a second rate town, with only 700 inhabitants at the beginning of the 18th century.
Under the rule of the House of Lorraine, Grosseto reflourished. It was given the title of capital of the new Maremma province.

Main monuments

Cathedral
Cathedral Grosseto Tuscany tourism

Bishop Rolando, who supported Innocent II during the schism of Anacletus, obtained authorisation to transfer the seat of the See of Rosellana to Grosseto from Innocent II on 9 April 1138. During the 12 C, the parish church of Santa Maria Assunta was the cathedral of Grosseto. It was located more or less in the position the apse of the current cathedral which was finished in 1294, as shown by two dated stone in the façade and inside of the church, one dated 1294 and the other 1295. The present Cathedral of Grosseto is dedicated to San Lorenzo and was built under the supervision of the Siennese Sozzo da Rustichino. The belfry tower was added in 1402 during a period of Siennese domination. (It was restored and modified in 1911.)
The façade has lost its original appearance, having been completely rebuilt between 1816 and 1855, but some evidence of the original cathedral has been preserved, notably the symbols of the Evangelists. Between 1859 and 1865, another major restoration gave to the inside of the cathedral a "neo-gothic" appearance that it did not have previously.
The major art works are a Baptism Font and the altar of the Madonna of the Graces, both the work of Antonio di Paolo Ghini from between 1470 and 1474, the marvelous Madonna of the Graces by Matteo di Giovanni, also from 1470, and the right side of the cathedral which is in the Siennese style.